Crash Club on a collision course with the big time.

Ask the movers and shakers of Glasgow to sum up how buoyant the local music scene is at the moment and, for many, two words will give you the answer you’re looking for: Crash Club.

The band, who formed in 2010, seem to be subconsciously providing the soundtrack to the city, with their strobe-heavy, swagger-inducing, energetic live shows continuing to win over audiences and help cement their status as one of the best bands in the country.

Collaborations with the likes of Tony Costello from Tijuana Bibles and Ian Mackinnon from Medicine Men show that they well and truly have their finger on the pulse musically, helping to hone and add another dimension to their sound – one that offers shades of Primal Scream’s XTRMNTR mixed with a heavy dose of The Chemical Brothers – as well as their live performances.

It’s a case of so far so good then for bassist Neal McHarg, “We’ve already done a lot of things we’d have put down on a musically bucket list kinda thing, like releasing a 12” record, and playing with bands that got us into dance music, being involved in festival season and to play T in the Park.”

This week saw a step up to the mantle in more ways than one for the electro-rock outfit, after they picked up the ‘Best Electronic’ act accolade at the recent Scottish Alternative Music Awards, where they also performed at alongside the likes of Holy Esque and Hector Bizerk.

This came hot on the heels of a support slot with The View in Edinburgh, alongside a barnstorming midnight show at the day-long Tenement Trail festival in Glasgow, which, I’m told, left even an attending Mhairi Black MP with her tongue wagging.

Surprising, it seems, is bassist Neal’s level-headedness amidst all the commotion.

“We just get on with it, to be honest,” he explains, “the hype could die down as quickly as it started. I’ve been around long enough to see it with bands I really believed were going to break through so I think for us we’ve got to keep writing better tracks and come up with new ways to make the live shows better.”

Meanwhile, the band are currently knuckled down in Glasgow’s Rocket Science studios, working on their new EP, which, by Neal’s own admission, is sounding “massive”.

“It is heading towards a New York sound, one where you really feel the beats and it’s hard not to groove,” he reveals. “It resembles the sound you probably would think of when you listen to DFA Record’s acts like LCD Soundsystem, Holy Ghost and The Rapture, although a bit darker in tones.”

When probed about possible future collaborations, he isn’t giving anything away.

“We are lucky to have some of the best acts in Scotland involved with us,” he boasts, “but I’ll keep that hush hush until it’s all finished.”

And with an upcoming King Tut’s headline slot on November 6th, alongside the promise of more late night shows in the near future, the hype surrounding Crash Club sees no signs of being written off.

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