Tijuana Bibles preach their indie-rock sermon to the converted.

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From the streets of Coatbridge to the dusty, tumble weed strewn backwaters of Louisiana, Tijuana Bibles seem to have swapped the town’s famous Time Capsule for darker, True Detective-esque climes, such is their gritty, swaggering sound.

Their newest release, Ghost/Dance/Movement EP, is a remarkably polished effort that wouldn’t sound out of place squeezed amongst the bastard son of an Arctic Monkeys or Black Rebel Motorcycle Club whisky-fuelled consummation.

Opener Apogee grinds its boots into the dirt and hurtles along at an incessant pace, banked by heavy guitars and Tony Costello’s soaring vocals (“Bite down on the pill when she pulls the trigger/Sweet as a kiss to cure my killer”) echoing the punches thrown by Queens of the Stone Age at their most heavyweight.

Ghost Dance showcases the band at its most potent, snarling, and memorable, keeping with the pace from the previous track. Costello continues to impress both lyrically and vocally, as if preaching to a petrol-hungry mass of converts (“I feed from the fire of the sun/Love is the only weapon”).

Follow up Six to Midnight eschews heavy riffs and Shamen references, with gun-slinging, fist fights and red wine all thrown in for good measure, reflecting as it does the band’s drive and ambition in spades.

Closer Sun Chaser offers a perfect end to proceedings, a layered, Eastern sounding gallop which hints at desert horizons and immortality, backed up by some impressive cloud-high choruses to satisfy any pair of ears.

A stunning piece of work from a band who fully merit their status as one of Scotland’s hottest acts and who will, hopefully, continue to deliver, just as they did at their sell out show at Glasgow’s Oran Mor, which nearly shook the old church to its foundations.

The band had the 500 in attendance in the palms of their hands as they rattled through songs off the new EP with a panache and arrogance that puts them on a par with early Oasis. Frontman Tony Costello seemed born for the starring role as he confidently led the crowd into a sweat-filled frenzy, backed by thundering drums and snarly guitars.

A European jaunt followed that saw the Bibles play in venues across Poland, Germany and Estonia, winning over an army of new fans in the process.

Happily back in their native town, upcoming shows supporting The Enemy at mythical venue The Garage, alongsdie solo shows in Aberdeen, Edinburgh and Kilmarnock, should see the band head into 2016 on the verge of greatness.

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