9 things about Glasgow and music that you maybe didn’t know.

1 – Elton John turned up at a party once steamboats in Blairdardie

Yip, one of the biggest selling music artists in the world was once managed by a Glaswegian called John Reid. And when visiting the city at the height of his fame in the late 1970s, the author of mega-hits such as ‘Rocket Man’ turned up at a party put on by pals of Reid at the high flats in Keal Crescent in Blairdardie with a carryout. Wonder if he was still standing after that night.

 

keal

 

2 – A band called Pink Floyd once supported a guy called Jimi Hendrix

Yip, this actually happened, at a show in Green’s Playhouse on Renfield St in 1967. With Syd Barret still in the band, Pink Floyd didn’t exactly endear themselves to the Glasgow public, being bottled off after they chose not to play their ‘hits’ such as See Emily Play. Hendrix also had the curtain pulled down on him midway through his set, after the management didn’t take well to his sexually suggestive guitar movements.

 

jimi

 

3 –  Alex Kapranos from Franz Ferdinand used to deliver curries for Mother India in his Fiat Panda.

Yip, the Franz Ferdinand front-man was the man who was sent out with your hot curry back in the days before he hit the big time alongside Bob, Nick and Paul with their debut 2004 album release. And not just any curry. Perhaps the best in the city in the form of Mother India in Glasgow’s west end. The ‘Take Me Out’ singer must have loved a take-out himself.

 

mother

 

4. Neil Young once busked outside Central Station

Yip, and if you didn’t know this one, then you must have been living on the moon. Before his show with Crazy Horse in 1976 at the city’s Apollo Theatre, a local camera crew were assigned to film some “funky shit footage” (Young’s words) of him and the band in Glasgow. It was Young’s idea to head down to Central station with his banjo and harmonica to play some music and see if anyone recognised him – in between asking people where the Bank of Scotland was. This, not long after one of either him or his band set fire to the paper table decorations at the Albany Hotel, nearly burning the whole thing down.

 

 

5. Courtney Love demanded a bath at a party in West Princes St

Yip, another party, this time not far from the city centre. After the former wife of Kurt Cobain played a gig in the city in the early 1990s with her band Hole, she turned up at a party in Eugene Kelly of The Vaseline’s gaff, and promptly told everyone there that she wanted a bath. Probably from all the pints that were lobbed in her direction.

 

love

 

6. The ‘Jimmy’ from Amy Macdonald’s ‘This Is The Life’ is actually called Graeme. 

OK so not the biggest of scoops, but one nonetheless. The title song off Macdonald’s 2007 debut album sees her sing a line about someone “waiting outside Jimmy’s front door”, and just in-case you are in Asda and hear the tune on the instore radio and you think, “Who is this Jimmy guy she is bangin on about”, well, now you know. Presumably, this was written in respect of the aftermath of a mad party somewhere, knowing ‘Jimmy’ as I do. Anyway, he used to play drums in The Apple Scruffs, so any excuse to stick one of their songs on the blog.

 

 

 

7. Bobby Gillespie’s step mum owns a dog grooming shop

Clutching at straws a bit here, but important to know some might find it. The shop is called, wait for it, ‘Grooming Marvellous’ and is situated on Cathcart Road in the south side of the city.  Rock and roll indeed. No doubt there’s a few poodles that call in at the shop with hair like he had back in the day when he played drums for TJMC.

 

 

8. There’s an Arctic Monkeys guitar pedal at the bottom of The Clyde

The first gig of their first ever UK tour  in March 2004 saw the Sheffield band play at Glasgow’s Barfly venue on the Broomielaw, remember that? Playing with them was a band called Raising Kane, and a series of disagreements between the two resulted in both bands launching each other’s guitar pedals into the adjacent Clyde river. The next day they played in Carlisle, and, off the back off their first ever Radio 1 play, the gig sold out. The rest, as we know, is history.

 

 

9. Oasis once supported the Verve at the Cathouse

Yip, of all places you could have seen these two bands in Glasgow, the Cathouse would probably come up last on your list. The alternative music club on Union St played host to two iconic groups of British music in December 1993, when Oasis supported the Verve on their UK tour prior to the release of their debut album, A Storm in Heaven. Apparently only a few folk turned up to see Oasis, and most of them thought they were pretty average. Funny how things change. Oasis released a live version of ‘I Am The Walrus’ from the show, as a B-side to Cigarettes & Alcohol the next year.

 

 

 

 

 

 

 

 

 

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Did Adele rip off BRMC with her mega-hit Skyfall?

Adele is one of the world’s most bankable singers, possessing a voice that has seen her graduate from performing arts student to full on superstar, thanks to the success of her trio of albums, 19, 21 and 25, albums which together have sold over 100 million copies.

The 28 year old’s songs surround the themes of heartbreak and relationships, with hits like ‘Hello’ and ‘Rumour Has It’ generating a popularity reflective of her status as ‘the finest singer of her generation’.

But, amidst all the glory and adulation, exists the rumour that she bent the rules somewhat in the creation of one of her biggest hits, Skyfall, the theme from the James Bond movie of the same name.

The song has sold more than 2 million copies worldwide, earning Adele an Academy Award for Best Original Song alongside a Golden Globe in the same category and the Grammy for Best Song Written for Visual Media in 2014.

The Oscar win, funnily enough, came after Adele’s song trumped three other soundtrack numbers, one of which being – wait for it – ‘Suddenly’ from the film Les Miserables.

But listeners on Youtube have noticed that the song bears a quite strong resemblance to the song ‘Suddenly’ by the American rock-and-roll band Black Rebel Motorcycle Club, a hit from their 2003 album Take Them On, On Your Own.

Lyrically, Skyfall is dark and moody, with a heavy orchestration that effectively captures the real James Bond ‘feeling’ of the Shirley Bassey era theme songs. Co writer Paul Epworth stated that the song is about “death and rebirth”, saying “It’s like, when the world ends and everything comes down around your ears, if you’ve got each other’s back, you can conquer anything. From death to triumph, that was definitely something we set out to try and capture.”

On the other hand, ‘Suddenly’ by BRMC doesn’t speak of all too dissimilar themes; themes concerning dark days, impending judgement, the sky and, most importantly, bitter love.

Perhaps any possible allegation labelled at Adele is best one of ‘aiding and abetting’, as part of a writing duo alongside producer Paul Epworth, who has produced acts similar to BRMC, artists such as Bloc Party, Primal Scream and Death From Above 1979 – who are themselves currently on tour with BRMC.

Epworth also worked with The Big Pink on their second album, ‘Future This’. BRMC’s guitarist/singer Robert Been also worked with the band, contributing to their 4 song EP ‘Empire Underground’.

This isn’t the first time Adele has been accused of ripping off other people’s tracks. Tom Waits fans believe her song ‘Hello’ shares a lot of similarities – lyrically – with Waits’s 1973 hit ‘Martha’.

Meanwhile, fans of Turkish/Kurdish singer Ahmet Kaya believe Adele ripped off Kaya’s 1985 song ‘Acilara Tutunmak (Clinging to Pain)’ with her own ‘Million Years Ago’ track off her 25 album.

Listen to both here and make up your own mind:

Caught live – Ulrika Spacek, The Hug and Pint

Apparently, London-based five piece Ulrika Spacek only play Glasgow on Sunday nights, as singer Rhys Edwards attested too midway through their set at The Hug and Pint.

Even against the threat of a low turn out with their return to the city coinciding with Falkirk troubadours Arab Strap’s second 20th anniversary show at a sold out Barrowlands, fans turned out in numbers to ensure the venue felt pretty packed.

Many presumably there on the strength of the airplay Ulrika Spacek have received on BBC Radio 6 by the likes of Steve Lamacq, while others making the visit off the back of their impressive support slot for DIIV at SWG3 earlier in the year.

ulrika

For all those who did make it, they were not to be disappointed. Spacek seemed genuinely happy to be back in Glasgow, and the intimate setting of the basement venue felt a perfect fit for their raw, atmospheric sound.

Playing against a projection of hypnotic, psychedelic visuals, the band burst to life with new A-side  ‘Everything: All The Time’, and, with little let up, proceeded to work their way through their debut album ‘The Album Paranoia’.

Tracks such as ‘I Don’t Know’, ‘She’s a Cult’ and ‘Beta Male’ saw Spacek at their own distinctive, gnarly, lo-fi best, not forgetting a face-melting rendition of ‘NK’ and the fantastic ‘There’s A Little Passing Cloud In You’.

Although ‘The Album Paranoia’ is in itself a work of near majestic talent, its live that Spacek really show off their strengths as composite musicians. For a band on their 23rd gig of a lengthy European tour, they exuded an energy that belied the heavy tour schedule.

With the confidence to debut a new track for the first time in front of a Glasgow audience that knows a good band when they see one, Spacek left the stage to familiar, yet fully merited, cries of ‘one more tune’.

A stellar Sunday night from a band – a mix of left-wing German militant Ulrike Meinhof and American actress Sissy Spacek – who will no doubt go on to grace venues fitting of their stature as one of the UK’s most invigorating, original and purposeful acts around today.

New on our radar: Stillhound

At last night’s Scottish Alternative Music Awards at The Garage in Glasgow, in between sterling sets by The Van Ts, Shogun and Baby Strange, the real highlight of the night were Stillhound.

The Edinburgh based ambient pop trio – made up of Fergus Cook, Laurie Corlett-Donald and Dave Lloyd – produced a set of lush synth pop hooks and organic electronica that had those in attendance in raptures, as they showcased songs off debut album Bury Everything (released via Lost Oscillation Records on 23rd September).

Featuring Cat Myres of Honeyblood fame on writing credits, Bury Everything offers up an irresistible slice of genre-defying soundscapes, fusing entrancing guitar progressions, fragile, dreamy vocals and samples.

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With a sound that recalls NZCA Lines and M83, alongside hints of 2 Door Cinema Club at their best,  the promise of the release of two singles off the album in October will no doubt see their stock rise even further.

 

 

Bury Everything Tracklisting:

  1. Spring Conscious
  2. Time Enough For Love
  3. Lofty Ambitions
  4. Think This Way
  5. Mountain Rescue
  6. Shy
  7. Summer Nightmares
  8. Seethe Unseen
  9. When Ghosts Get Angry
  10. Bury Everything

 

 

Gone, but not forgotten. 4 of the best bands to come out of Glasgow

Nostalgia is an often criticized beast that pulls at the heart strings of music lovers, with bands that had long since broken up ready to forget their differences in the name of a new album, tour and deeper pockets.

And with scientific studies showing a direct link between music and brain stimulation – including how we recall memories – we never tire of taking a glimpse back over the past few years to reminisce about the music that struck a special chord, by bands that have since disappeared.

Here’s a list of 4 Glasgow bands that are gone, but definetly not forgotten:
The Apple Scruffs
Formed in 2005, the punk-rock four piece from Glasgow garnered a wide, loyal following in Glasgow thanks to their raw, energetic rock ‘n’ roll and memorably frenetic live performances that, more than any other Glasgow band to date, have fully characterised the passion of youth. Influenced by the likes of The Smiths, The Clash and The Libertines, the band played wisely to their strengths in the form of frontman Jonny Skinner’s majestic song writing.

Paper Planes/Astral Planes

Regarded in their heyday as ‘Glasgow’s best kept secret’, Paper Planes were a band that really were destined for bigger things. Opening for The Pigeon Detectives at The Carling Academy in only their fourth show, the band revolved around New Jersey native Jennifer Paley’s stunning vocals (and looks) and guitarist Christopher Haddow’s reverb-heavy licks. With a surf-pop, trashy rock ‘n’ roll sound it was a band that were cooler than every Julian Casablancas leather jacket sown together.

Sonic Hearts Foundation

Widescreen cinematic shoe-gazers Sonic Hearts Foundation only called it a day last year but the void is still present. After building up a formidable reputation in Glasgow thanks to support slots with the likes of The Duke Spirit and The Telescopes, the band achieved near mythical status in 2011 thanks to a legendary rooftop show outside the Barrowlands after a Pete Doherty gig. With an intoxicating sound that mixed alternative post-rock, electronic and even Krautrock influences, the band’s live gigs were as much visual, projection fuelled feasts as they were showcases of their own maverick, captivating originality.

Heartbeats

Another band that, live, were equal to the more established bands from which they themselves drew influences, such as The Jesus and Mary Chain and My Bloody Valentine, Heartbeat’s shoe-gaze, anthemic wall of sound had your ears ringing for days after their shows. Backed by singer Steve Allen’s primal, emotional lyrics and Matt Hardie’s pulsating drumming, they are another Glasgow band solely missed from the venues around the city they called home, as their fantastic ‘We Make Jesus Cry (Death By Misadventure)’ illustrates – a song that, on a personal level, finds itself in my top 20 favourites of any band, ever.

https://myspace.com/weareheartbeats/music/songs