Tag Archives: psychedlicrock

Caught live – Ulrika Spacek, The Hug and Pint

Apparently, London-based five piece Ulrika Spacek only play Glasgow on Sunday nights, as singer Rhys Edwards attested too midway through their set at The Hug and Pint.

Even against the threat of a low turn out with their return to the city coinciding with Falkirk troubadours Arab Strap’s second 20th anniversary show at a sold out Barrowlands, fans turned out in numbers to ensure the venue felt pretty packed.

Many presumably there on the strength of the airplay Ulrika Spacek have received on BBC Radio 6 by the likes of Steve Lamacq, while others making the visit off the back of their impressive support slot for DIIV at SWG3 earlier in the year.

ulrika

For all those who did make it, they were not to be disappointed. Spacek seemed genuinely happy to be back in Glasgow, and the intimate setting of the basement venue felt a perfect fit for their raw, atmospheric sound.

Playing against a projection of hypnotic, psychedelic visuals, the band burst to life with new A-side  ‘Everything: All The Time’, and, with little let up, proceeded to work their way through their debut album ‘The Album Paranoia’.

Tracks such as ‘I Don’t Know’, ‘She’s a Cult’ and ‘Beta Male’ saw Spacek at their own distinctive, gnarly, lo-fi best, not forgetting a face-melting rendition of ‘NK’ and the fantastic ‘There’s A Little Passing Cloud In You’.

Although ‘The Album Paranoia’ is in itself a work of near majestic talent, its live that Spacek really show off their strengths as composite musicians. For a band on their 23rd gig of a lengthy European tour, they exuded an energy that belied the heavy tour schedule.

With the confidence to debut a new track for the first time in front of a Glasgow audience that knows a good band when they see one, Spacek left the stage to familiar, yet fully merited, cries of ‘one more tune’.

A stellar Sunday night from a band – a mix of left-wing German militant Ulrike Meinhof and American actress Sissy Spacek – who will no doubt go on to grace venues fitting of their stature as one of the UK’s most invigorating, original and purposeful acts around today.

Stay, ‘The Mean Solar Times’ review

Fans of Oasis and Beady Eye may be interested to hear ‘The Mean Solar Times’ by Barcelona psychedelic rockers Stay, given Andy Bell’s contribution to three songs on the album.

Released through Minneapolis label ‘Picture in my Ear’, and featuring Britpop guru Owen Morris (Oasis/The Verve) on production duties, the 5th studio album from the Catalans is a rich and potent mix of 70’s psychedelia, 90’s Britpop, oriental and funk influences, intensified by frontman Jordi Bel’s youthful vocals.

Having gained something of a cult following in their native Spain, the band have carved out a niche as one of the go to support acts around, opening for the likes of Ocean Colour Scene, Beady Eye and The Pretty Things, as well as appearing at festivals such as Primavera Sound in their home city.  

Vintage tones, resplendent melodies, intricate instrumentals and organ-guitar interplay draw obvious comparisons with the likes of Big Star, Traffic and The Charlatans, as the band meander from the slow, jovial and intricate to the heavy, emotionally enveloping, demonstrating a flair and character that places above the level of simple pastiche.

Opener ‘Pinkman’, with Bell on guitar, sounds distinctly Charlatansesque, with brooding basslines, abrasive guitar hooks and a healthy dose of organs, sitars and soaring melodies, with the brief burst of flamenco guitar for good measure.

Follow up ‘Always Here’ is a sparkling wedge of feel good summery indie pop, while ‘Smiling Faces’ continues the winning formula first evoked in ‘Pinkman’ – layered guitars, melodies and anthemic soundscapes.

The glossy, merry ‘You Know It’s Right’ and ‘Shake The Sun’ could both have been lifted from Teenage Fanclub’s ‘Bandwagonesque’, while the frenetic, trippy ‘Mind-Blowing’ juxtaposes in a 6 minute wall of clashing sitars and organs.

While falling a yard or two short or true originality, ‘The Mean Solar Times’ is still a consistent, solid effort from Stay who, through a combination of strong musicianship, layered sounds and sweet harmonies, no doubt permits the band to remain flagbearers of the Spanish, Brit pop influenced indie kitsch sound for some time to come.